Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing. Macbeth,
Act V
Like this speech, there are parts of Macbeth that are as powerful as
anything William Shakespeare ever wrote, yet The Tragedy of Macbeth is in many ways the
least satisfactory of his tragedies. Although the characters of Lady
Macbeth and Macbeth are complex and fascinating, many of the others,
particularly the minor characters, are flat in comparison. There are
scenes where the rhythm and language seem stilted or rushed. And,
especially for the person experiencing Macbeth for the first time, it is
difficult to enjoy a hero who is also a villain. Macbeth’s life,
as Shakespeare writes, seems to “signify nothing”.
So how do you tackle such a play? From what angle do you come at it and
develop appreciation and understanding for its weaknesses and
strengths?
Start with context
Understanding the time in which Shakespeare wrote Macbeth will help make sense of
unfamiliar objects and baffling choices as well as put the play on a
timeline peg. Although there is disagreement on the exact year
Shakespeare wrote Macbeth (some say 1606, others 1607), none argue its Renaissance
beginning. Elizabethan
England gives a glimpse into the Renaissance world which
Shakespeare lived and Educating Shakespeare provides insight into the type of school he attended and the education
he received. William
Harrison, a collaborator with Raphael Holinshed on writing the
histories of England and Britain, gives detail on Elizabethan views on
food, dogs, and punishment. World
Timelines can put many concurrent world events into perspective.
Once you understand the time in which Macbeth was created, it is helpful to investigate why Shakespeare wrote it. Many
scholars believe it was written by royal command for King James I when
King Christian IV of Denmark came to England for a visit.
Shakespeare's players were the King's
Players so it would have been natural for them to produce a story
of Scottish history touching on the ancestry of King James. The
Royal Play of Macbeth (subscription required) can provide details
on why, when, and how the play was written.
Looking at the sources Shakespeare used to write Macbeth, you can see how
Shakespeare blended superstition, witchcraft, and history. He drew upon
Raphael Holinshed’s Chronicles
of England, Scotland and Ireland (1577), King James' Daemonolgie (1597), and Reginald Scot's Discovery
of Witchcraft (1584). Philip Weller has created a helpful index of
Holinshed's entries with Macbeth references.
Rounding out the circumstances and context surrounding Macbeth are Dr.
Simon Forman's comments on the play after attending a public
performance in April, 1610.
Read for themes
Reading or watching the play with the purpose of finding a theme or
motif is a way to organize impressions into manageable opinion.
Many people discuss Macbeth around the themes of ambition, power, sleep, blood, manhood,
witchcraft, superstitions, fate, predestination, weapons, water, light,
and darkness so they can share their take on what it means. When a
scene or word or phrase sparks an interest, following it can lead to a
new insight into the play. For instance Royal
Shakespeare Company gives performance clips with interviews from directors, actors, and
stage directors to discuss their ideas about power and control, murder
and consequences, fate and free will, and destiny. Peter J.
Liethart’s uses Bible stories to find Christian
themes of redemption and restoration in Macbeth. Other people have used Dialogue and Atmosphere to provide the foundations for themes on witchcraft and nature.
Visualize the play
It is easy to skim over Macbeth since the language, objects, and places are often unfamiliar. The side-by-side
translations are helpful for immediate help, but taking the time to
go beyond instant translation will pay off with a richer understanding
of the play. For instance, reading the the play it is necessary to
picture the difference between the sword Macbeth would have used to "unseam" Macdonwald and the dagger which Macbeth dreams is leading him to Duncan. Also, grasping the size
of Glamis
Castle or the distance between Birnam Wood and
Dunsinane can put the setting and action into perspective.
Watching a stage performance
is the way to experience Macbeth as Shakespeare intended, but video and film performances are also helpful experiences.
Finally write it out
Writing out ideas, thoughts, and opinions will reveal the gap between
true and borrowed knowledge. This gap is where studying Macbeth should begin in earnest and could mean learning how
an actor interprets Banquo, the legends and superstitions of Macbeth, the proper
Elizabethan insult, where the Globe is or why the
5th Earl of Cawdor said, "I wish the Bard had
never written his damn play!"
So while Macbeth may feel that everything is futile, you will know that
your study is not.
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